The Other A.I.

Featured Image Credit: Pexels on Pixabay

The academic community – a community to which I have belonged for decades – trades in ideas, and thinking is our currency-in-trade.

Throughout my teaching career, as I’ve offered elsewhere, I’ve devoted my practice to helping people make thinking a habit:

Thinking is the value in our ideas, and since we’re accountable by means of personal responsibility to defend these, there’s our incentive for thinking to be informed by knowledge, practised with discipline, and weighed by healthy scepticism. Discussing and testing ideas is the purview of thinking, and as such, thinking’s an invaluable skill.

Along the way, as our thinking skills mature, we yet retain at our core something personalised and uniquely individual: let’s call this integrity, which literally derives from roots that combine to mean something “untouched,” i.e. something “pure.” As puzzle pieces integrate to form a whole picture, so we might imagine all the pieces that form 'ourselves'. Full integrity finds every piece contributing, no piece erroneous or superfluous although, unlike puzzle pieces, ours we are able to enhance and improve. Distinct from “integrity the buzzword,” integrity is the character and experience to cope, or else not cope, with real consequences. Integrity is how we spot adversity, and it fuels our will to leave comfort zones in order to measure how much we’ve grown.

As a coach since 1990 and a teacher since 1999, I’ve long felt my responsibility, on behalf of people, to help players and students find ways to grow and contribute in accordance with their own integrity.

Fuel for this growth includes the earnest effort we expend in the academic setting to develop and explore imaginative, inventive, even original ideas, and then to properly credit the earlier thinkers who provided our source material. Citation is a formal way to indicate where other thinkers’ ideas ended and our ideas began. But such ‘academic integrity’ goes beyond formal citation.

Academic work is an investment – rigour now for pay-off later. Investing in the development and expression of ideas now, out of what came before, not only works the thinker’s valuable skill, it also advances the growth and maturity of broader confidence and social esteem into the future. This is one reason, from my experience, for tying student success directly to engagement with others in a classroom… p.s. that’s hardly some revelation, but it remains important enough to justify reiteration.

When I teach, I need to hear from students too, particularly in person, although whatever the case, in their own words. Of course, I also appreciate the utility of a Zoom call. But in-person contact time between students and teachers is such a precious commodity that face-to-face teaching-and-learning – for me, anyway, not sure for you – is simply irreplaceable and will never be going away… not unless we so utterly lose our broader social integrity that we just stop being human.

That said, we do manage to prove, now and again, that the pieces comprising our integrity seem to contain at least a few impurities. For instance, you may be surprised to learn how, even before the Digital Age, we found ourselves facing opportunities and enticements not only to draw upon others’ ideas, words, images, and videos but also to risk presenting these irresponsibly as our own.

These days, as we have access to scads of text and media literally in the palm of our hands, legitimate schools are left to counter our worser nature by emphasising quaint abstractions like honesty, fairness, and respect. Such schools expect students and teachers to behave as honest and responsible members of an academic community by complying with policies, regulations, and prohibitions that uphold that academic integrity thing.

One common prohibition is plagiarism, which means submitting the oral or written ideas, words, images, or videos of another person as one’s own without giving that other person proper credit or acknowledgement. Plagiarism is intellectual theft though, more simply put, plagiarism is cheating, by which I mean falsifying anything that is subject to formal evaluation or peer review. And again in my experience, I’ve found plagiarism is far more common than most students ever realise. But whether it is or isn’t tantamount to stealing or cheating, plagiarism is a form of academic dishonesty that we absolutely must not tolerate, much less accept. Why?

Plagiarism is a serious academic obstacle that poses significant, permanent consequences, whether detected or not. Ideas that are not one’s own must be given credit at all times – perhaps this is the fundamental precept of academics – because, without respecting this credit, any pursuit or growth or refinement of existing knowledge is fruitless, and any working of the skill of thinking utterly ceases for having no available fuel… well, apart from ‘How can I steal and get away with it?’ or maybe ‘How can I justify being lazy?’ or how about ‘How can I excel at being an ‘Enter’ button presser?’ Presenting the same or substantially the same work more than once, in the longer-term, gains us nothing beyond the muddled growth of thinking about ‘how to cheat and prosper at the same time’.

How about the uncredited use of Generative Artificial Intelligence tools, as in ‘Gen A.I.’ – the other A.I.… is this also plagiarism? Honestly, how can it not be? In order to draw upon what’s available, Gen A.I. scours and indexes all available ideas, words, images, and videos, and these not just from some other person but from most everybody out there who’s accessibly published on-line.

Not a search engine in sight… no people either
Image Credit (edited): hyeok10_12 on Pexels

This being the case, then what of any work completed with Gen A.I. – correctly cited or not… what isn’t plagiarism? Good question, one that evidently poses an inconvenient truth yet to be addressed by the euphoric mania, beyond watery defenses like “pattern matching,” “fair use,” and “non-human agency”… bullshit excuses as evasive and lazy as the humans whose use of Gen A.I. warrants all concern for academic integrity in the first place.

“Always ask when you are unsure…”

Thus far, to students who ask me, I’ve found myself able to suggest that Gen A.I. – like Wikipedia before it – makes for a poor academic resource, which is to say, “An easy place to start is rarely a good place to finish.”

Upon saying this to students, I’ve occasionally faced a reminder that the analogue world of my past experience is something to smirk at. Don’t get me wrong, we did have electricity and computers back then, but I’ll grant it was also a time when TVs received broadcast signals, telephones had a dial tone, the Commodore Amiga was cutting-edge technology, and everyone wore Lacoste. More to the point, though… back then, when the encyclopædia on your shelf was all you had, it was also your motive to visit the library, or a magazine stand, or your friendly neighbourhood teacher, who’d also done those same things.

As for those students who smirk at me today, I gather that somebody they’ve never met must have laid my past to rest on their behalf, and therefore nothing – repeat, nothing – from that past had better even try holding threat upon their attention, especially not when it can’t be accessed via smart phone.

By the same turn, I hold what seems to me a reasonable expectation on behalf of these Students of the Digital Age, namely that they appreciate their responsibility to…

  1. understand how ‘academic integrity’ applies to each activity across a program of study
  2. clarify not merely what constitutes ‘academic misconduct’ but also why its consequences threaten our whole endeavour
    • p.s. while you’re at it, also take note whether your school has any kind of “Student Declaration of Responsibility” to which you may have assented upon registration – and then, whether you find one or not, respect it anyway

I should say, I never smirk when I expect all this because, at its core, academics is about broader growth and human progress. It’s about human lives and our livelihoods underway. It’s about how well we expect to be doing once we pass things on… things like ideas and how to think them through.

And hey, if you don’t feel like this endeavour requires work compelled by sincerity and integrity, then maybe it’s time to re-think your involvement. Or maybe just get out of the business altogether because it’s every scholar’s responsibility on everyone else’s behalf to respect the principles of academic integrity, foremost by applying those principles in your own practice.

Image Credit (edited): Bruno Silva on Pexels

From drowningintheshallow – “Traditions, not Traditional”

Sometimes, when we look into a mirror, we’re making sure everything is presentable, just right.

That seems like a bit of a trap to me – for one thing, you could only know ‘just right’ if you had some standard for measure, which seems like a recipe for perfectionism. You might also simply fall into seeing what you want to see. But what may be worst of all is the risk we take for granting our own self-assurance to the judgment of others.

On another day, that may have just described school, but setting that aside, I think it’s still fair to say that a mirror, like any household item, has its pros and cons.

Another way to characterise that look into the mirror is a search for flaws. In a similar way, this also seems to me like a risk since now we’re adopting a frame-of-mind for spotting what is wrong and applying that to our own self-esteem. It’s like practising how to be critical, with you as the practice dummy.

If you combine these two looks – the one, for self-assurance, and the other, a search for flaws – it almost seems no surprise those times we encounter hypocrisy… then again, isn’t there just something about people, that we seem to excel at paradox? I’m sure the psychologists have plenty more to say on this although I’m also sure those are details no one would credibly seek in a blog post. So setting that aside as well, I think it’s still fair to say the search for flaws seems pretty easy to adopt precisely because nobody’s perfect. Everyone’s a critic.

All that seems pretty ‘con’ when it comes to mirrors, so maybe let’s finish with a ‘pro’: we might conceivably look into a mirror for healthy self-appraisal, a more balanced search that weighs itself somewhere in between flaw and assurance, in order to learn and grow. That kind of look inherently grants itself placement among others, which seems honest to me, and humble too.

For me, this featured post from drowningintheshallow looks into the mirror for just this sort of self-appraisal, and by emphasising the ‘thinking’ bit of critical thinking, it credibly raises the level of discourse.

One last thing, although I wonder how many academics and teacher educators seek on-line blogs for credible detail… to this list of words oversimplified by popular usage, such as ‘traditional’ and ‘critical thinking’, I would add ‘self-reflection’.

Like I said, we seem to excel at saying what we want to say.

The Latest Visual WHY

Click here to read the latest Visual Why

Liubov Popova, “Space-Force Construction” (1921). Oil on plywood, 64 x 60 cm. State Tretyakov Gallery Moscow, gift of George Costakis.

The story behind Eddie Van Halen’s signature guitar art is pretty well known and well documented, as far as when and how and perhaps why he did it. So when I saw this 100 year-old painting, “Space-Force Construction,” by Russian constructivist Liubov Popova, it stopped me short. And I just wondered. Maybe you’re a little taken aback, too.

Seeing this painting lead me to Tate and this article, “Aleksandr Rodchenko’s Lines of Force,” by Brandon Taylor, and I wondered a little more, then added all that wondering to the Visual WHY – you’ll need to scroll down to the Van Halen piece because I still haven’t figured out WP anchor links.


The word “text” derives from Latin, texere, meaning to weave or fit together. For me, text connotes far more than just the printed word – photography, movies, music, sculpture, architecture, the list goes on. The Visual WHY offers a specific look at paintings, texts with no less substance and arguably far more aesthetic. But underpinning the textuality of art altogether is its human endeavour. And beyond weaving something together for the sake of weaving, a weaver – an artist, a person – has a further end: communication.

Artists across all media are people with influences and motives for expressing themselves. Conjointly, texts of all kinds are also plenty human: provocative and reflective. Whether rich and symbolic for a global audience, or doodled sketches for your own amusement, art is text, and text has purpose. As we try to understand it more thoroughly, we can’t help but raise the level of discourse. Who knows, someday maybe art will save the world…

For those who’ve been wondering about the painting featured on this site’s front page, the latest Visual WHY may help explain that, too.