“Texts are not the curriculum,” I was told during Pro-D by an administrator, the Director of Curriculum and Innovation. The session had been arranged to introduce a revised K–12 curriculum and was billed as a great unfolding at the onset of the 21st century. “Texts are a resource for implementing lessons and practising skills,” she concluded. By this, I took her to mean that notation, for example, is a resource for students to finger piano keys or pluck guitar strings, which is something music teachers might accept. I took her to mean that landscape is fodder for brushstrokes and blending, something art teachers might accept. I took her to mean that a poet’s intimate, inspired reveries, shared in careful verse, is raw material for students who are learning to analyse and write, which I grant English teachers might accept. I took her to mean that I should consider her remark a resource and that this issue was now settled, which some teachers in earshot seemed to accept. To this day, I wonder whether a musician, or a painter, or a poet might accept her remark, but in that moment, I let it go.
I suppose I should be more forthcoming: I used to joke with parents, on Meet the Teacher Night, that I could be teaching my coursework just as well using texts like Curious George and a recipe book. That I decided to use Shakespeare, or Sandra Cisneros, or Thomas King, and that I would in fact be asking students literally to stare out the window as part of a textual analysis exercise—all just as arbitrary—illustrated the point: I built my course around some particular themes that reflected me and what I believed important about life. This, in turn, was meant to illustrate to students, and now parents, how bias plays a noteworthy if subtly influential role in our lives and our learning.
My larger points were twofold: firstly, no, texts are not the curriculum per se and, secondly, our Department’s approach to English Language Arts (ELA) focused more on skill development, less on content consumption. For us, anyway, the revised curriculum was reaffirming. What I merely assumed in all this—and presumed that parents assumed it, too—was that our Department’s approach was commensurate with the school’s expectations, and the Ministry’s, as well as with our province’s educational history and the general ELA approach found in classrooms across North America, for which I had some albeit minimal evidence by which to make the claim. As a secondary ELA teacher, I chose my texts on the basis that they helped expedite my curricular responsibilities. I suppose it would be fair to say that, for me, texts were a resource for implementing lessons and practising skills.
What was it, then, that niggled me about the Director’s comment at the Pro-D session? Did it have to do with decision-making, as in who gets to decide what to teach, and how, and why? Would that make it about autonomy, some territorial drawing of lines in professional sand? Was it more my own personal confrontation, realising that musicians and painters and poets deserve better than to be considered lesson fodder? I had never approached my lessons so clinically or instrumentally before—had I? Maybe I was having my attention drawn into really considering curriculum, taking the time to puzzle out what that word means, and implies, and represents. And if I never really had puzzled it out, what kind of experience was I creating for my students? I’ve always felt that I have done right by my students, but even so… how much better, still, to be done?
Months later, I sat at a table doing prep work next to a colleague, and a third sat down to join us. Eventually, as the conversation turned from incidents to editorials, the third teacher spread her hands wide and concluded, “But ultimately education is all about relationships.” In the next split-second moment, I was confronted by the entirety of my teaching philosophy, nearly a clarion call except I had nowhere to stand and run, so I just remained in my seat, quietly agreeing and chuckling at the truth of it all. We all did. That was my final year before returning as a student to a doctoral program. These days, I search and select texts to read so I can write texts of my own about particular themes that reflect me and what I believe important about curriculum, and teaching, and education.
I should say I no longer wonder why the Director’s remark that day, about texts, didn’t set me to thinking about curriculum, not like my colleagues did, sitting and chatting around that table.
The Rhetorical WHY 